Marlon Brando - Clearly any film company that makes a film is always going to talk about sequels particularly if they see something as being successful, which Werewolf was.
[ Always Any Being Clearly Company Film Going Makes Particularly See Sequels Something Successful Talk Werewolf Which]
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Jared Leto - I also know that in the second movie, the sequel, Eric made some huge advances with the robot suit. That just made it even better. You put the suit on and moved your arms then the robot's arms would move in sync with yours.
[ Advances Also Arms Better Eric Even Huge Just Know Made Move Moved Movie Put Robot Second Sequel Some Suit Sync Then Would Your Yours]
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Henry Wilson - I was skeptical about doing Texas Chainsaw at first because it's such a cult classic. I'd seen some of the sequels and was not a fan of those.
[ Because Chainsaw Classic Cult Doing Fan First Seen Sequels Skeptical Some Such Texas Those]
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Isoroku Yamamoto - We all approached doing a sequel with great trepidation and skepticism.
[ Approached Doing Great Sequel Skepticism Trepidation]
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- I cannot explain why they made that sequel to Secret of NIMH. Because they claim that it the original didn't make money, so what was the enthusiasm to make a sequel?
[ Because Cannot Claim Enthusiasm Explain Made Make Money Original Secret Sequel Why]
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- It's always an enormous pressure when you do a sequel. The demands are so high, and it's expensive.
[ Always Demands Enormous Expensive High Pressure Sequel]
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- The first is that instead of writing a sequel, which is what most people do, this is in fact a prequel. Although we didn't know that when we began the process.
[ Although Began Fact First Instead Know Most Prequel Process Sequel Which Writing]
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- I'm proud of all the movies I've made. They're not sequels, they're not franchises. And the reason I pick my films carefully is that I don't want to spit on my life. I like to think of myself as more than that.
[ Carefully Films Franchises Life Made More Movies Myself Pick Proud Reason Sequels Spit Than Think Want]
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- We wanted to do a sequel with Jim and Jeff. They said that the word was that Jim didn't want to do any sequels. We approached him and he said he would do it, but not until next year. New Line said it was too long to wait.
[ Any Approached Him Jeff Jim Line Long New Next Said Sequel Sequels Too Until Wait Want Wanted Word Would Year]
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- Though the Jazz Age continued it became less and less an affair of youth. The sequel was like a children's party taken over by the elders.
[ Affair Age Became Children Continued Elders Jazz Less Over Party Sequel Taken Though Youth]
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- At one point I intended to write precursor and sequel novels, about the establishment of the Web and its next evolution, but I am very unlikely to now; they would take place in a different universe.
[ Am Different Establishment Evolution Intended Next Novels Now Place Point Precursor Sequel Take Universe Unlikely Very Web Would Write]
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- And I plan to write a sequel to Dragon Rider.
[ Dragon Plan Rider Sequel Write]
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- You never know in a movie if it's going to be a sequel, but right now I'm proud of what we produced.
[ Going Know Movie Never Now Produced Proud Right Sequel]
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- As far as I know, the guys at Pixar are opposed to a Monsters, Inc. sequel.
[ Far Guys Inc Know Monsters Opposed Pixar Sequel]
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- I was thinking about doing another film at the same time, which was the sequel to Basic Instinct and I just had a feeling that wasn't going to happen. You know, I just kind of read the writing on the wall.
[ Another Basic Doing Feeling Film Going Had Happen Instinct Just Kind Know Read Same Sequel Thinking Time Wall Which Writing]
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- Sequels are very rarely a good idea, and in any case, the success of the book changed my relationship with the club in some ways.
[ Any Book Case Changed Club Good Idea Rarely Relationship Sequels Some Success Very Ways]
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- But, George and Steven asked me to write the Indiana Jones sequels, and I didn't want to.
[ Asked George Indiana Jones Sequels Steven Want Write]
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- I didn't really want to do another sequel. I go to those movies, and I just sort of enjoy them like a viewer.
[ Another Enjoy Go Just Movies Really Sequel Sort Them Those Viewer Want]
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- The only reason I would write a sequel is if I were struck by an idea that I felt to be equal to the original. Too many sequels diminish the original.
[ Diminish Equal Felt Idea Many Only Original Reason Sequel Sequels Struck Too Were Would Write]
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- It's absolutely of no importance who or what V was under the mask. He isn't a who or a what, he's an idea. The thing is, you couldn't continue it. Now and then the idea of a sequel has been raised, in vague forms, but I think it would be a bad idea. The story's finished.
[ Absolutely Bad Been Continue Finished Forms Idea Importance Mask Now Raised Sequel Story Then Thing Think Under Vague Would]
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- A sequel is an admission that you've been reduced to imitating yourself.
[ Admission Been Imitating Reduced Sequel Yourself]
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- I am writing a sequel to The Touch because I want to further explore the Chinese question that I have raised. There will be more about that in a sequel.
[ Am Because Chinese Explore Further More Question Raised Sequel Touch Want Will Writing]
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- They're just not into doing sequels after Toy Story so I don't think that's a possibility. But if they did, well sure, you'd have to do it. And I'd want to do it.
[ After Did Doing Into Just Possibility Sequels Story Sure Think Toy Want Well]
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- The time has mainly gone on getting Inform into a decent shape for public use. I suppose the plot of 'Curses' makes a sequel conceivable when compared with, say, the plot of 'Hamlet' but none is planned.
[ Compared Conceivable Curses Decent Getting Gone Hamlet Inform Into Mainly Makes None Planned Plot Public Say Sequel Shape Suppose Time Use]
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- I wanted to play a good guy after doing this lunatic on The Sopranos for two years. And then they did the sequel to Bad Boys, where I get to play the barking captain again.
[ After Again Bad Barking Boys Captain Did Doing Get Good Guy Lunatic Play Sequel Sopranos Then Two Wanted Where Years]
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- I don't know about doing a sequel. I think you can retroactively damage a product by adding to it.
[ Adding Damage Doing Know Product Sequel Think]
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- I had a feeling about directing Cocoon II: The Return. At first I wasn't too interested because it was a sequel. Then I read the script and was excited by the relationships and its mystic quality.
[ Because Cocoon Directing Excited Feeling First Had Ii Interested Mystic Quality Read Relationships Return Script Sequel Then Too]
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- John and I had a few meetings about what direction the sequel should take. I made some real insane suggestions. True to what you'd expect, he ignored them all and just picked up Halloween II where the original left off.
[ Direction Expect Few Had Halloween Ignored Ii Insane John Just Left Made Meetings Off Original Picked Real Sequel Should Some Suggestions Take Them True Up Where]
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- I really don't know why Scarlett has such appeal. When I began writing the sequel, I had a lot of trouble because Scarlett is not my kind of person. She's virtually illiterate, has no taste, never learns from her mistakes.
[ Appeal Because Began Had Her Illiterate Kind Know Learns Lot Mistakes Never Person Really Scarlett Sequel She Such Taste Trouble Virtually Why Writing]
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- As long as we, again, kind of keep earning the sequels with material and I'm confident Mike can, I'm in. You know I always want to do those. But I also want to keep going in some of the direction as Meet the Parents has.
[ Again Also Always Confident Direction Earning Going Keep Kind Know Long Material Meet Mike Parents Sequels Some Those Want]
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- I think sequels should be earned and we won't do it unless the script is better than the first one.
[ Better Earned First Script Sequels Should Than Think Unless Won]
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- We had to do the same thing here. To top that sequel was quite a task. Mike had a couple of good conceptual humour and character ideas, which got me back into it.
[ Back Character Conceptual Couple Good Got Had Here Humour Ideas Into Mike Quite Same Sequel Task Thing Top Which]
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- By definition a sequel can't be original. So you've got to figure out what worked the first time around.
[ Around Definition Figure First Got Original Out Sequel Time Worked]
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- Every beginning is only a sequel, after all, and the book of events is always open halfway through.
[ After Always Beginning Book Events Every Halfway Only Open Sequel Through]
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- There's a real danger in doing a sequel. There are some benefits, but that all hinges on how well you execute. Quite frankly, most sequels don't execute well.
[ Benefits Danger Doing Execute Frankly Hinges How Most Quite Real Sequel Sequels Some Well]
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- I'm always the last person they go to with a sequel, because I'm the most skeptical. You know, I'm very proud of what we've done, and I don't want to screw up our series.
[ Always Because Done Go Know Last Most Our Person Proud Screw Sequel Series Skeptical Up Very Want]
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- I was concerned about doing a sequel and repeating myself. That was before I read the script.
[ Before Concerned Doing Myself Read Repeating Script Sequel]
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- I hate sequels. They're never as good as the first book.
[ Book First Good Hate Never Sequels]
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